Download e-book for kindle: A Companion to Hrotsvit of Gandersheim (fl. 960): Contextual by Phyllis R. Brown

By Phyllis R. Brown

ISBN-10: 9004229620

ISBN-13: 9789004229624

Hrotsvit wrote tales, performs, and histories in the course of the reign of Emperor Otto the nice (962-973). Twelve unique essays survey her paintings, displaying old roots and contexts, Christian values, and an incredibly smooth grappling with questions of id and feminine self-realization.

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Additional resources for A Companion to Hrotsvit of Gandersheim (fl. 960): Contextual and Interpretive Approaches

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3r), and on the reverse (fol. ”), which is the most embellished verse of the entire codex. Nine quaternions follow (fols 4–75). Passing from the legends to the dramas, a gathering of two double leaves (fols 76–79) was used as follows by the scriptorium. [I say “scriptorium” because four or five scribes, male or female, were involved, and we cannot say who made the decision to employ, at the end of the copy of the legends, a gathering of two double leaves rather than the usual quaternion—just as if the conclusion of the entire work had been reached.

She knew the Saxons had been bloodily conquered by Charles the Great and his Frankish armies, but believed that God had brought about the passage of secular rule in Christendom from the Franks to the Saxons, as led by the great Otto. She knew that her convent stood in an intimate family relationship with the secular rulers of the Christian world (as she perceived it) and believed that Gandersheim thus participated in the realization of God’s will on earth. While the taxonomies of literary scholars may support the manuscript division of her writings into three groups, a division that rests essentially on formal distinctions, readers of Hrotsvit who do not accept her works as united by one shared vision of history and the progress of Christianity will hardly be able to grasp the ways in which all her texts speak with and interpret each other.

She knew that her convent stood in an intimate family relationship with the secular rulers of the Christian world (as she perceived it) and believed that Gandersheim thus participated in the realization of God’s will on earth. While the taxonomies of literary scholars may support the manuscript division of her writings into three groups, a division that rests essentially on formal distinctions, readers of Hrotsvit who do not accept her works as united by one shared vision of history and the progress of Christianity will hardly be able to grasp the ways in which all her texts speak with and interpret each other.

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A Companion to Hrotsvit of Gandersheim (fl. 960): Contextual and Interpretive Approaches by Phyllis R. Brown


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